Monday 19 March 2012

The more affliction we endure

Queen's House, Tower of London

I thought it might be interesting to share some photographs of Tudor graffiti in the Tower of London. I should point out that I am in no way a photographer, and the photos below were taken inside the Beauchamp Tower with an iPhone. As such the quality is quite poor. However the photos do convey a sense of the incredible graffiti carved into the walls; there is something very moving about these personal imprints, carved during a time of fear and, often, abject despair.

Beauchamp Tower stands adjacent to the above building in the Tower complex. Its proximity to what had been the Lieutenant's Lodgings made it an ideal place to hold high-profile prisoners in the sixteenth and seventeenth centuries. Some of its more famous occupants include Robert Dudley, Earl of Leicester, imprisoned for a year in the Tower in 1553, and Sir Philip Howard, Earl of Arundel, who died at the Tower after ten years of incarceration. The upper and lower floors of Beauchamp Tower are littered with personalised graffiti, now carefully preserved behind perspex screens.  

Beauchamp Tower






























Robert Dudley's initials?





Earl of Arundel





Thursday 15 March 2012

Some vaine fantasticall illusion by Mackbeth and Banquho


Title page Holinshed's Chronicles (1577)

It has long been noted that the Elizabethan historian Ralph Holinshed's Chronicles served as a source for Shakespeare, particularly in relation to his history plays, as well as King Lear, Macbeth, and Cymbeline. Until the twentieth century, Chronicles was largely consigned to marginalised scholarly study, however today it is regarded as a 'secular equivalent to John Foxe's Acts and Monuments, a massive and wide-ranging work of scholarship'. This post explores a little of the history of its production.

Raphael Holinshed (c.1525-1580?) was the son of Ralph Holinshed, or Hollingshead, of Sutton Downes, Cheshire. Some accounts of his life suggest he was educated at Cambridge, but more credible reports indicate he was a 'minister of God's word' and a proponent of the emerging Protestant Church. During the reign of Mary Tudor, when he was in his late twenties and early thirties, he was employed in London at the printing house of the evangelical Reyer Wolfe. Wolfe had employed Holinshed to help him with his 'universal cosmography' - an enormous description of the history and geography of the world complete with maps.

Macbeth battle scene from the 1577 edition of Chronicles 


The first edition of Chronicles of England, Scotland, and Ireland was printed in 1577. 'It formed part of a deliberate movement to elevate the status of England, English letters, and English language through writing and publishing maps, histories, national epics, and theoretical works on English poetry'. In 1547, Wolfe had been issued with a royal privilege to act as the king's printer in Latin, Greek, and Hebrew. This included the exclusive right to print charts and maps which might be useful to king and country.

Wolfe died in 1573, when Chronicles was still incomplete. His wife Joan died the following year, stipulating in her will that Holinshed had permission to complete, and benefit from, the work. Unfortunately for Holinshed, Wolfe's printing business had been inherited by his son Robert, and his son-in-law, John Hun. They joined with two other men to create a printing consortium with the intention of printing Chronicles. To publish the volumes, they turned to Henry Bynneman, who had royal privilege to print 'all Dictionaries in all tongues, all Chronicles and histories whatsoever’.

In 1577 the huge two-volume Chronicles was finally published, with Holinshed on the title page. However, Holinshed appears to have been disappointed with the work. He considered it too limited in scope in comparison with the original 'universal cosmology' envisioned by Wolfe. He blamed the consortium headed by Wolfe's son, as did other contributors, including William Harrison, the author of the ‘Historicall description of the island of Britain’, which prefaced the work. Harrison suggested that the speed with which he had been forced to write his contribution may have led to both errors and omissions.

Chronicles was a great publishing success. It was an expensive book; a copy selling in 1577 for £1.6s (c.£200) would have made it one of the most costly books in a university student's possessions. But its success also suggests how 'informed Elizabethans were coming to place the understanding of their own history alongside the classics as part of the education of a young gentleman preparing for government service.'

It is unclear how much Holinshead himself benefited from sales of the book. In 1578 he was living in Warwickshire, serving as steward to Thomas Burdet, and by 1580 he had died, leaving his books and papers to Burdet.

All hail Makbeth, from the 1577 edition

Chronicles went into a second reprint in 1585-7. This time it was printed by Henry Denham, at the expense of John Harrison, George Bishop, Ralph Newbury, and Thomas Woodcocke. They treated its reprint with tremendous care. While Reyer Wolfe had worked with Holinshed on the 1577 edition, the 1587 edition was placed under the supervision of Abraham Fleming. Fleming acted as general editor, and revised the book, extending the English history to 1586. The 1587 edition of Chronicles was printed in three volumes. The first comprising Harrison's 'Historical description' and the 'History of England' up to 1066. The second is a description and history of Ireland, revised and extended by John Hooker, as well as the history and description of Scotland by Francis Thynne. The third comprises the History of England by Holinshed, revised by Fleming, with contributions from John Stow.

Title page to the second edition (dated 1586)

Both editions of Chronicles were extensively censored by the Elizabethan authorities. In 1587, for example, passages pertaining to Scottish history were removed for fear they might damage Anglo-Scottish relations, and Chronicles' final revision, 'very likely dictated by political developments that followed the completion of the first and second reformations, reflects a careful attempt to cultivate good opinions both at home and abroad, and especially abroad, ahead both of English efforts to negotiate a settlement in the Low Countries and of the expected response to the execution of Mary, queen of Scots. '

Some extant copies escaped censorship, while others reveal varying degrees of alteration. In 1590, James VI demanded a further censoring of the text, but eventually relented, permitting the offending passages to remain. In the eighteenth century, new copies of pages previously censored from Chronicles, were published, with the intention they should be inserted into those existing copies with omissions. As a result, many of the 1587 copies include eighteenth century alterations. A third edition was published in 1807-8, which restored the censored pages and passages, but reordered the descriptions and histories.

As far as Shakespeare is concerned, my own guess is that he would have been familiar with both editions of Chronicles. The 1577 copy may have appeared in his school, perhaps in his final year. In all likelihood he owned a 1587 edition, purchased during his years in London. He may have initially borrowed a copy while composing his history plays in the early 1590s, but the cost of buying Chronicles would not have been such a stretch in the years immediately preceding the composition of King Lear in 1604-5.

Three weird sisters and Makbeth, also from the 1577 edition

All quotes are from Cyndia Susan Clegg, ‘Holinshed , Raphael (c.1525–1580?)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008

Holinshed?

Friday 9 March 2012

St Paul's Cross

The outdoor pulpit known as St Paul's Cross, painted by John Gipkyn (fl 1594–1629) in 1616. 

Today I discovered this lovely painting of St Paul's Cross, a site of much historical importance.

Public sermons and announcements were delivered to Londoners from St Paul's Cross, the first in 1236, when a member of the king's counsel announced Henry III's wish to govern London well and punish those who interfered with its citizens. In 1422, Richard Walker, a chaplain of Worcester, appeared at the Cross to to plead guilty to charges of sorcery. Sermons which helped establish the English Reformation were delivered from here, and several riots began on this spot. Londoners were told of the discovery of the Gunpowder Plot in a sermon delivered at St Paul's Cross on November 10th by William Barlow. In 1643 the Cross was destroyed by the Puritans during the first English Civil War, and it was rebuilt, minus the pulpit, in 1910.

St Paul's Cross today

Thursday 8 March 2012

The severall habits of English women


Today I stumbled upon these gorgeous etchings of women by Wenceslaus Hollar. The lovely detail provides a fascinating insight into women's fashion in the mid-seventeenth century, even down to the shoes. All images are taken from The severall habits of English women, from the nobilitie: to the contry woman, as they are in these times, Wenceslaus Hollar (1640).

































I am by your council from you commanded to go to the Tower

Elizabeth I Coronation Portrait. 
Copy c.1600-1610 by an unknown painter of a lost original of 1559. 
Currently on display in the National Portrait Gallery, London.


To celebrate International Women's Day, the desperate letter written by Elizabeth in one of her darkest hours to her sister, Queen Mary, in response to the order that Elizabeth be committed to the Tower of London. As everyone knows, the twenty-one-year-old Elizabeth survived the Tower, and subsequently went on to rule England for forty-five years.

March I6, I554 
If any ever did try this old saying, 'that a king's word was more than another man's oath,' I most humbly beseech your Majesty to verify it to me, and to remember your last promise and my last demand, that I be not not condemned without answer and due proof, which it seems that I now am; for without cause proved, I am by your council from you commanded to go to the Tower, a place more wanted for a false traitor than a true subject, which though I know I desire it not, yet in the face of all this realm it appears proved. I pray to God I may die the shamefullest death that any ever died, if I may mean any such thing; and to this present hour I protest before God (Who shall judge my truth, whatsoever malice shall devise), that I never practised, counselled, nor consented to anything that might be prejudicial to your person anyway, or dangerous to the state by any means. And therefore I humbly beseech your Majesty to let me answer afore yourself, and not suffer me to trust to your Councillors, yea, and that afore I go to the Tower, if it be possible; if not, before I be further condemned. Howbeit, I trust assuredly your Highness will give me leave to do it afore I go, that thus shamefully I may not be cried out on, as I now shall be; yea, and that without cause. Let conscience move your Highness to pardon this my boldness, which innocency procures me to do, together with hope of your natural kindness, which I trust will not see me cast away without desert, which what it is I would desire no more of God but that you truly knew, but which thing I think and believe you shall never by report know, unless by yourself you hear. I have heard of many in my time cast away for want of coming to the presence of their Prince; and in late days I heard my Lord of Somerset say that if his brother had been suffered to speak with him he had never suffered; but persuasions were made to him so great that he was brought in belief that he could not live safely if the Admiral lived, and that made him give consent to his death. Though these persons are not to be compared to your Majesty, yet I pray to God the like evil persuasions persuade not one sister against the other, and all for that they have heard false report, and the truth not known. Therefore, once again, kneeling with humbleness of heart, because I am not suffered to bow the knees of my body, I humbly crave to speak with your Highness, which I would not be so bold as to desire if I knew not myself most clear, as I know myself most true. And as for the traitor Wyatt, he might peradventure write me a letter, but on my faith I never received any from him. And as for the copy of the letter sent to the French King, I pray God confound me eternally if ever I sent him word, message, token, or letter, by any means, and to this truth I will stand in till my death.Your Highness's most faithful subject, that hath been from the beginning, and will be to my end, 
ELIZABETH, 
I humbly crave but only one word of answer from yourself.

 The original letter (held in PRO State Papers Domestic Mary I ii/4/2, fol. 3)



Further reading: Elizabeth I: Collected Works, eds. Leah Marcus, Janel Mueller, Mary Beth Rose (University of Chicago Press, 2002)